The Tattooist Of Auschwitz (TV Series)
The Tattooist Of Auschwitz (TV Series)
Hans Zimmer Hans Zimmer Composer Kara Talve Kara Talve Composer Peter Asher Peter Asher Song Producer Anže Rozman Anže Rozman Musician Leah Zeger Leah Zeger Musician Tina Guo Tina Guo Musician John Witt Chapman John Witt Chapman Score Recordist Steven Kofsky Steven Kofsky Music Production Services
The Tattooist Of Auschwitz

The Tattooist Of Auschwitz – Project Details

2024

THE TATTOOIST OF AUSCHWITZ, 2024, Produced by Jacquelin Perske

SERIES CREDITS

Music by Hans Zimmer & Kara Talve for Bleeding Fingers Music

Score Producer: Russell Emanuel
Music Production Services: Steven Kofsky
Score Coordinator: Marsha Bowe
Technical Score Assistant: Daniel Vallejo
Score Recorded by John Witt Chapman
Score Recorded at Remote Control Productions, Los Angeles
Music Contracting Services: Encompass Music Partners, Los Angeles
Solo Instrumentalists:
Grandma Matty's Piano: Kara Talve
Clarinet: Bostjan Gombac
Accordion: Marko Hatlak
Violin: Leah Zeger, Louisa Byron, Luanne Homzy & Alyssa Park
Cello: Tina Guo, Anze Rozman & Jacob Braun
Vocals: Sami Goldberg
Custom Sound Design: Robert Dudzic

"Love Will Survive"
Performed by Barbra Streisand
Executive Producers: Barbra Streisand, Jay Landers & Russell Emanuel
Music by Hans Zimmer, Kara Talve & Walter Afanasieff
Lyrics by Charlie Midnight
Produced by Walter Afanasieff & Peter Asher
Arranged by William Ross & Walter Afanasieff
Conducted by William Ross
Performed by The London Symphony Orchestra
Recorded at Abbey Road Studios
Mixed by Jochem van der Saag

The Tattooist Of Auschwitz

The Tattooist Of Auschwitz

2024 58'36 Sony Classical
Video
Release date : 05/02/2024
01 – Whatever It Takes (3:52)
02 – Krompachy (1:45)
03 – If Someone Sees Her (3:31)
04 – Just Like When I Met Her (2:28)
05 – I’m Free (3:00)
06 – How Can You Be Here? (3:14)
07 – What Happens To The Women? (1:52)
08 – The Tenor (Quando m’en vo) (2:08)
09 – You Think You’re Special (2:38)
10 – One Day, When It’s Safe (3:11)
11 – Not Long Now (3:34)
12 – Whatever It Takes (Grandma’s Piano) (2:12)
13 – You Have No Fear (1:39)
14 – Not The Women And Children (1:59)
15 – We Will Be Strong (Chazak, Chazak, v’nitchazek) (2:05)
16 – I Will Find You (2:15)
17 – The Death March (2:18)
18 – Mekudeshet li (Sacred To Me) (3:16)
19 -To See It Through These Old Eyes (3:14)
20 – Ani Ma’amin (I Believe) (2:53)
21 – Whatever It Takes (Say Goodbye To This Place) (2:06)
22 – Love Will Survive – Barbra Streisand (3:26)

3 Comments

  1. Tim May 2, 2024 at 7:12 am - Reply

    01 – Whatever It Takes – 03:52
    02 – Krompachy – 01:45
    03 – If Someone Sees Her – 03:31
    04 – Just Like When I Met Her – 02:28
    05 – I’m Free – 03:00
    06 – How Can You Be Here? – 03:14
    07 – What Happens to the Women? – 01:52
    08 – The Tenor (Quando m’en vo) – 02:08
    09 – You Think You’re Special – 02:38
    10 – One Day, When It’s Safe – 03:11
    11 – Not Long Now – 03:34
    12 – Whatever It Takes (Grandma’s Piano) – 02:12
    13 – You Have No Fear – 01:39
    14 – Not The Women And Children – 01:59
    15 – We Will Be Strong (Chazak, Chazak, v’nitchazek) – 02:05
    16 – I Will Find You – 02:15
    17 – The Death March – 02:18
    18 – Mekudeshet li (Sacred To Me) – 03:16
    19 – To See It Through These Old Eyes – 03:14
    20 – Ani Ma’amin (I Believe) – 02:53
    21 – Whatever It Takes (Say Goodbye To This Place) – 02:06
    22 – Love Will Survive (from The Tattooist of Auschwitz) – 03:26

    Total Runtime: 58:36

    • Anonymous May 2, 2024 at 8:53 am - Reply

      The main theme “Whatever it takes” is actually really solid. I’m also pleased they incorporated it in the song “Love will survive”, it’s a very classic Hollywood thing to do.

    • Tim May 2, 2024 at 9:08 am - Reply

      I’m with you on this. The first track is beautiful and moving and it was a great finish to hear the theme on track 22. The rest though… while you have beautiful instruments like the violine here and there, it still feels like they’re “playing” some random notes to go with the picture without any plan or clue. So it’s kind of more an atmospheric score again and not a melodical one. Too bad as it really started well with the first track

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