FILM CREDITS
Music by Klaus Badelt
Supervising Music Editor: Christopher S. Brooks
Executive in Charge of Music: Todd Homme
Conducted by Gavin Greenaway & Rick Wentworth
Featured Vocalist: Katy Stephan
Additional Music by Geoff Zanelli
Additional Arrangements by Jim Dooley, Tim Jones & Ramin Djawadi
Recorded by Nick Wollage
Mixed by Alan Meyerson
Score Recorded at Air Lyndhurst & Abbey Road Studios, London
Contracted by Tonia Davall
Music Coordinator: Maggie Rodford
Music Preparation by Tony Stanton
Music Production Services by Media Ventures, Santa Monica
ALBUM ASSEMBLY
Professor Alexander Hartdegen : 1m01 Opening Titles
Wish Me Luck : 1m02 Wish Me Luck
Emma : 1m03 Marry Me + 1m04 Emma Dies #1
The Time Machine : 2m05 In A Week...
Bleeker Street : 2m06 Bleeker Street
I Don't Belong Here : 2m08A I Don't Belong Here
Time Travel : 3m09-10A-10B Time Travel - Asteroid
Eloi : 3m11 v2 Where Am I?
Good Night : 3m12 REV Are They Friendly? + 3m13 Good Night
Stone Language : 4m14-15 The Stones & The River
Morlocks Attack : 4m16 Morlocks Attack (Edited)
Where The Ghosts Are : 4m17 Where The Ghosts Are
The Master : 5m18 Descending Into Morlock's World (Edited) + 5m19 The Master
"What If?" : 5m20AB Time Machine Fight + 5m21 Alex Reconsiders
Godspeed : 6m23-24 Freedom - Godspeed
1m02 Wish Me Luck (1:20)
1m03 Marry Me (1:10)
1m04 Emma Dies #1 (1:31)
2m05 In A Week… (3:09)
2m05B Moonsign (1:06)
2m06 Bleeker Street (2:26)
2m07 Emma Dies #2 (0:56)
2m08A I Don’t Belong Here (3:56)
2m08B In The Year 2030 (1:02)
3m09-10AB Time Travel – Asteroid (4:37)
3m11 v1 Where Am I? (2:11)
3m11 v2 Where Am I? (Alternate) (2:11)
3m12 REV Are They Friendly? (0:38)
3m13 REV Good Night (3:33)
3m13 Good Night (Alternate) (3:32)
4m14-15 The Stones & The River (4:52)
4m16 Morlocks Attack (7:04)
4m17 Where The Ghosts Are (1:43)
4m17 NO CHOIR Where The Ghosts Are (No Choir) (1:43)
5m18 Descending Into Morlocks’ World (6:27)
5m19 NEW The Master (5:42)
5m20AB Time Machine Fight (4:08)
5m21 REV Alex Reconsiders (1:29)
5m21 Alex Reconsiders (Alternate) (2:09)
5m22 The Escape (3:24)
6m23-24 Freedom – Godspeed (5:17)
Music Composed by Klaus Badelt
Executive Producer: Robert Townson
Executive in Charge of Music for DreamWorks: Todd Homme
Additional Music by Geoff Zanelli
Additional Arrangements by Jim Dooley, Tim Jones & Ramin Djawadi
Featured Vocalist: Kary Stephan
Music Editor: Christopher S. Brooks
Orchestra Conducted by Gavin Greenaway & Rick Wentworth
Music Preparation by Tony Stanton
Score Mixed by Alan Meyerson
Score Recorded by Nick Wollage
Music Contractor: Tonia Davall
Music Coordinator: Maggie Rodford
Score Recorded at AIR Lyndhurst & Abbey Road Studios, London
Music Production Services: Media Ventures, Santa Monica, California
Mastered by Erick Labson
Special Thanks to Simon Wells, David Valdes, Walter Parkes, Wayne Wahrman, Laurie MacDonald, John Logan, Bruce Fowler, Todd Homme, Sunny Park, Mark Berger, Jay Rifkin, Harry Gregson-Williams, Henning Lohner, the Media Ventures Team, Sam Schwartz, Baerbel Badelt, Paul Fiore, Rob Williams, Chris "P.O.T." Potter, Ansgar Hoerster, Ralf Zang, Marc Haimes, Lenny Wohl, Cindi Smith & Hans Zimmer
For Patricia & Juliette
02 – Wish Me Luck (1:21)
03 – Emma (2:35)
04 – The Time Machine (3:11)
05 – Bleeker Street (2:26)
06 – I Don’t Belong Here (3:48)
07 – Time Travel (4:36)
08 – Eloi (2:10)
09 – Good Night (4:03)
10 – Stone Language (4:53)
11 – Morlocks Attack (4:23)
12 – Where The Ghosts Are (1:36)
13 – The Master (7:15)
14 – “What If?” (6:16)
15 – Godspeed (5:20)
"Where Am I?", "The Stones And The River" & "Godspeed"
Composed by Klaus Badelt & John Logan
"Morlocks Attack" & "The Escape"
Composed by Klaus Badelt & Geoff Zanelli
Music Composed & Produced by Klaus Badelt
Additional Arrangements by Jim Dooley, Tim Jones & Ramin Djawadi
Music Supervisor for DreamWorks: Todd Homme
Music Editor: Christopher S. Brooks
Orchestra Conducted by Gavin Greenaway & Rick Wentworth
Music Preparation: Tony Stanton
Score Mixed by Alan Meyerson
Score Recorded by Nick Wollage
Music Contractor: Tonia Davall
Music Coordinator: Maggie Rodford
Score Recorded at AIR Lyndhurst & Abbey Road Studios, London
Music Production Services: Media Ventures, Santa Monica, CA
Original 2002 Soundtrack Executive Producer: Robert Townson
Executive in Charge of Music for DreamWorks: Todd Homme
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Deluxe Edition Executive Producer for Varèse Sarabande Records: Cary E. Mansfield
Deluxe Edition Mastered by Chas Ferry & Melinda Hurley
Production Assistance: Lukas Kendall
Front Cover Art by Jeffrey Kerns, Kaleidoscope Films & David Sameth, DreamWorks
Art Direction & Design by Mark Shoolery
Liner Notes: Brian Satterwhite
Special Thanks to Simon Wells, David Valdes, Walter Parkes, Wayne Wahrman, Laurie MacDonald, John Logan, Bruce Fowler, Todd Homme, Sunny Park, Mark Berger, Jay Rifkin, Harry Gregson-Williams, Henning Lohner, the Media Ventures Team, Sam Schwartz, Baerbel Badelt, Paul Fiore, Rob Williams, Chris "P.O.T." Potter, Ansgar Hoerster, Ralf Zang, Marc Haimes, Lenny Wohl, Cindi Smith, Michael Murphy & Hans Zimmer
For Patricia & Juliette
Bonus Cues
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Are Jim Dooley’s and Ramin’s contributions to this still unknown? There’s a channel on YT that has a bunch of credits including ones for Tim Jones, but no sources.
I know Jim arranged at least “2m05 In A Week…” & “5m21 Alex Reconsiders”…
As for Ramin, no real info but honestly, based on the style, you could say that virtually everything “Eloi” was arranged by him…
Are Jim Dooley’s and Ramin’s contributions to this still unknown? There’s a channel on YT that has a bunch of credits including ones for Tim Jones, but no sources.
I know Jim arranged at least “2m05 In A Week…” & “5m21 Alex Reconsiders”…
As for Ramin, no real info but honestly, based on the style, you could say that virtually everything “Eloi” was arranged by him…
hybrid, what do you mean with downhill? to compose music for smaller movies doesn't mean you don't earn money or your career is ruined. i really don't see the problem with his career.
hybrid, what do you mean with downhill? to compose music for smaller movies doesn't mean you don't earn money or your career is ruined. i really don't see the problem with his career.
Johánnsson was hired for Christopher Robin little time before his death. Now will be another composer.
Johánnsson was hired for Christopher Robin little time before his death. Now will be another composer.
In fact, he's not even a composer anymore, he has his own company which deals with movie broadcasting worldwide… He does a score here & there but it never was his vocation… He just happened to be ridiculously talented (and Hans will confirm this to anyone even to this day).
In fact, he's not even a composer anymore, he has his own company which deals with movie broadcasting worldwide… He does a score here & there but it never was his vocation… He just happened to be ridiculously talented (and Hans will confirm this to anyone even to this day).