FILM CREDITS
Music by Harry Gregson-Williams
Music Editors: Richard Whitfield, Meri Gavin, Mark Wlodarkiewicz, Paul Rabjohns & Robert Boyd
Orchestrations: Alastair King & David Butterworth
Score Mixers: Peter Cobbin & Al Clay
Music Contractor: Isobel Griffiths
Electric Cello: Martin Tillman
Solo Piano: Simon Chamberlain
Conductor: Gavin Greenaway
Copyist: Jill Streater
Scoring Stage: Abbey Road Studios
Synth Programming: Halli Cauthery & Andy Page
Additional Music by Hybrid
""Piano Sonata No. 17 In D Minor" Op. 31, No. 2 ("The Tempest")"
Written by Ludwig Van Beethoven
Performed by Simon Chamberlain
ALBUM ASSEMBLY
The Dream : 1m01 v169 The Dream
The Fall : 5m68 v27 To The Fall (Edited)
Colony : 1m02B v3 Balcony
The Tripping Den : 2m11 v16 Redlight District (Edited) + 2m13 v34 First Time (Edited) + 5m68A v18 Synths Loading (Edited)
Rekall : 2m15 v5 - 2m16 v98 I'm Nobody (Edited)
Rooftop Chase : 2m22 Escaping Lori (Edited)
Hand Call : 3m23 v56 Hand Call (Edited)
The Vault : 1m02A v60 Trapped (Edited) + 3m29 v22 The Vault (Edited)
Customs : 3m31 v48 Customs (Edited)
Car Chase Pt. 1 : 3m32 v37 Get In Now (Edited)
Car Chase Pt. 2 : 3m34 Clear To Engage (Edited)
The Key : 4m35 v100 Reed's Apartment (Edited)
The Scar On Your Hand : 4m42 v11 The Scar On Your Hand + 4m44 Harry Comes In (Edited) + 1m07 v2 Security Elevated
Elevator Chase : 4m48 v24 You're A Traito + 4m50 v24 Elevator Chase (Edited)
Train To Matthias : 4m57 v12 Train To Matthias (Edited) + 4m54 v15 Through Thr Streets
Saving Melina : 5m72 v47 Saving Melina
Gravity Reversing : 6m73 ALT Gravity Reversing
Up Top Fight : 6m75 v14 Quaid Falls (Edited) + 6m78 v44 Up Top Fight
The Fall Collapses : 6m81 v12 INTRO Wake Up Pt 1 (Edited) + 6m81B v18 Wake Up Pt 2
It's Hard To Believe, Isn't It? : 6m84 ALT The End
1m02A v60 Trapped (2:44)
1m02B v3 Balcony (1:56)
1m07 v2 Security Elevated (0:39)
1m08 Back From Work (1:14)
2m10 v4 Goodnight Harry (0:46)
2m11 v16 Redlight District (1:37)
2m13 v34 First Time (4:21)
2m15 v5 – 2m16 v98 I’m Nobody (3:44)
2m19 Lori, It Was Me (4:42)
2m22 Escaping Lori (3:36)
3m23 v56 Hand Call (4:09)
3m25 v18 Who Is This Guy? (1:00)
3m29 v22 The Vault (3:58)
3m31 v48 Customs (1:52)
3m32 v37 Get In Now (3:15)
3m34 Clear To Engage (2:30)
4m35 v100 Reed’s Apartment (2:47)
4m37 v16 Hauser (2:39)
4m42 v11 The Scar On Your Hand (1:33)
4m44 Harry Comes In (4:34)
4m48 v24 You’re A Traito (1:41)
4m50 v24 Elevator Chase (4:38)
4m54 v15 Through Thr Streets (1:50)
4m56 v7 Welcome Home (0:49)
4m57 v12 Train To Matthias (2:46)
5m60 v50 I Want To Remember (4:07)
5m64 Matthias Dies (5:40)
5m68A v18 Synths Loading (1:18)
5m68 v27 To The Fall (2:28)
5m72 v47 Saving Melina (2:37)
6m73 v5 Gravity Reversing (2:52)
6m73 ALT Gravity Reversing (Alternate) (2:19)
6m75 v14 Quaid Falls (2:25)
6m78 v44 Up Top Fight (1:54)
6m80 v24 End Of Cohaagen (2:30)
6m81 v12 INTRO Wake Up Pt 1 (0:24)
6m81B v18 Wake Up Pt 2 (1:16)
6m82 v4 INTRO Ambulance Fight Pt 1 (0:57)
6m82 v11 Ambulance Fight Pt 2 (0:54)
6m84 v19 The End (2:00)
6m84 ALT The End (Alternate) (2:34)
Music Composed & Produced by Harry Gregson-Williams
Soundtrack Executive Producer: Neal H. Moritz
Executive in Charge of Music for Sony Pictures: Lia Vollack
Music Editors: Richard Whitfield & Meri Gavin
Additional Music by Hybrid
Additional Programming by Halli Cauthery & Andy Page
Score Recorded at Abbey Road, London, by Peter Cobbin & Sam Odel
Score Mixed at Wavecrest Studios, Venice, by Al Clay
Assistant Music Engineers: Danny Stimac & Brendyn Adams
Score Tech Engineer: Costa Kotselas
Orchestrations: Alastair King & David Butterworth
Orchestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Jo Buckley
Music Preparation: Jill Streater
Conducted by Gavin Greenaway
Orchestra Leader: Perry Montague Mason
Mastering by Patricia Sullivan
Mastered at Bernie Grundman Mastering, Hollywood
Electric Cello: Martin Tillman
Piano: Harry Gregson-Williams
Harry would like to thank:
Len Wiseman, Neal Moritz, Toby Jaffe & Erin, Jessie, Josh & Jude G-W
Special thanks: Shelly Bunge, Valerie Caton, Kevin Korn, Diane McKain, Gretchen O'Neal, Raul Perez, Jennifer Rick & Sam Schwartz
02 – The Fall (2:11)
03 – Colony (1:56)
04 – The Tripping Den (2:50)
05 – Rekall (2:51)
06 – Rooftop Chase (2:23)
07 – Hand Call (2:50)
08 – The Vault (4:50)
09 – Customs (1:40)
10 – Car Chase Pt. 1 (2:44)
11 – Car Chase Pt. 2 (1:34)
12 – The Key (1:24)
13 – The Scar On Your Hand (4:15)
14 – Elevator Chase (5:21)
15 – Train To Matthias (4:03)
16 – Saving Melina (2:35)
17 – Gravity Reversing (2:19)
18 – Up Top Fight (2:52)
19 – The Fall Collapses (1:35)
20 – It’s Hard To Believe, Isn’t It? (2:34)
To each his own.
To each his own.
Hi,can anyone tell me what track is the one that sounds after the car chase when Colin farrel takes Melina out of the car to take her home?its a missing track,should be between car chase part 2 and the key
Hi,can anyone tell me what track is the one that sounds after the car chase when Colin farrel takes Melina out of the car to take her home?its a missing track,should be between car chase part 2 and the key
Hi,can anyone tell me what track is the one that sounds after the car chase when Colin farrel takes Melina out of the car to take her home?its a missing track,should be between car chase part 2 and the key
Hi,can anyone tell me what track is the one that sounds after the car chase when Colin farrel takes Melina out of the car to take her home?its a missing track,should be between car chase part 2 and the key
You can listen to the entire score online here: soundcloud.com/madison-gate-records/sets/total-recall-origin al-motion/
You can listen to the entire score online here: soundcloud.com/madison-gate-records/sets/total-recall-origin al-motion/
The original is of course one of Goldsmith's best action scores. You know what, scratch that… it's one of the best actions scores of all time. Gregson-Williams does some fantastic stuff occasionally, but we're not gonna kid ourselves here, he is no Goldsmith.
The original is of course one of Goldsmith's best action scores. You know what, scratch that… it's one of the best actions scores of all time. Gregson-Williams does some fantastic stuff occasionally, but we're not gonna kid ourselves here, he is no Goldsmith.