Penka Kouneva
Additional Arrangements
Kevin Globerman
ProTools Engineer
Satoshi Noguchi
Assistant Score Engineer
Ed Neumeister
Orchestrator
Rick Giovinazzo
Orchestrator
Kevin Kaska
Orchestrator
Stephen Hilton
Ambient Music Design
Steven Kofsky
Music Production Services
Jörg Hüttner
Additional Recordings
Walt Fowler
Orchestrator
Jeff Biggers
Additional Recordings
Alan Meyerson
Music Scoring Mixer
Jay Flood
Additional Arrangements
Suzette Moriarty
Orchestrator
Bruce Fowler
Orchestrator
Clay Duncan
Ambient Music Design
Martin Tillman
Musician
Steve Jablonsky
Composer
Gavin Greenaway
Choir Conductor
Nick Glennie-Smith
Conductor
Ryan Rubin
Music Editor
Lorne Balfe
Additional Music
FILM CREDITS
Music by Steve Jablonsky
Supervising Music Editor: Alex Gibson
Music Editor: Ryan Rubin
Music Recorded & Mixed by Alan Meyerson
Conducted by Nick Glennie-Smith
Supervising Orchestrator: Bruce Fowler
Orchestrators: Walter Fowler, Yvonne S. Moriarty, Rick Giovinazzo, Kevin Kaska, Ed Neumeister & Penka Kouneva
Music Production Services: Steven Kofsky
Additional Music: Jacob Shea & Andrew Kawczynski
Additional Arrangements: Nathan Whitehead & Tom Gire
Ambient Music Design: Clay Duncan & Stephen Hilton
Music Programming: Todd Haberman & Pieter Schlosser
Technical Score Engineer: Erick DeVore
Assistant Music Editor: Nevin Seus
Assistant Orchestrator: Lori Chavez
Additional Recording: Jeff Biggers, Geoff Foster & Joerg Huettner
Soloists -
Guitar: George Doering
Cello: Martin Tillman
Percussion: M.B. Gordy, Brian Kilgore, Peter Limonick, Wade Culbreath, Bernie Dresel & Dan Greco
Choir: Metro Voices
Choir Conducted by Gavin Greenaway
Choirmaster: Jenny O'Grady
Choir Contractor: Isobel Griffiths
Assistant Choir Contractor: Lucy Whalley
Music Preparation: Booker White
Music Contractors: Peter Rotter & Sandy DeCrescent
ProTools Operator: Kevin Globerman
Synth Programming: Jay Flood
Music Score Recorded at Sony Pictures Studio
Music Score Mixed at Remote Control Productions, Inc.
ALBUM ASSEMBLY
Dark Side Of The Moon : 1m01A Main Title - Moon Mission (Edited) + 1m01B Lost Signal (Edited)
Sentinel Prime : Sentinel
Lost Signal : Lost Signal
In Time You'll See : 5m41 Traitor Sentinel
Impress Me : Sam
We Were Gods Once : Noble Sentinel
Battle : Battle
There Is No Plan : 6m50A Goodbyes
We All Work For The Decepticons : 6m50B Shuttle Liftoff
The Fight Will Be Your Own : Death & Return
Shockwave's Revenge : Driller
No Prisoners, Only Trophies : Chicago (Edited)
The World Needs You Now : 8m59 Osprey Assault (Edited) + 8m60A Diving Into Chicago
It's Our Fight : 9m69A Pillar Assault Pt 1 + 9m69B Pillar Assault Pt 2 (Edited) + 9m69E Pillar Assault Pt 5 (Edited) + Battle Glorious (Edited) + 9m70 Primes Fight
I'm Just The Messenger : 9m71 Megatron's Revenge
I Promise : 9m72 Victory
Our Final Hope : The Dark
1m01A Main Title – Moon Mission (4:33)
1m01B Lost Signal (2:12)
1m01C Astronauts Return (1:25)
1m05 Optimus Arrives At Chernobyl (1:25)
1m05B Laserbeak Chernobyl Attack (0:37)
2m07A I Need To Matter (0:35)
Steve Jablonsky, Nathan Whitehead
2m08A Director Of National Intelligence (Part 1) (0:45)
2m08B Director Of National Intelligence (Part 2) (1:00)
Steve Jablonsky, Nathan Whitehead
2m09 The Ark (1:55)
Steve Jablonsky, Jacob Shea
2m11 Meet Dylan Gould (1:18)
2m12 Car Collection (0:31)
Steve Jablonsky, Jay Flood
3m13 Finding Sentinel Prime (1:25)
3m14 Megatron In Africa (2:04)
3m15 Kill Human Collaborators (0:28)
Steve Jablonsky, Nathan Whitehead
3m18 Paying Your Dues (0:33) *
3m19 I’m His Girlfriend (0:28)
3m21 Meet Deep Wang (1:17)
3m21B Staredown (0:20)
3m22 Hemorrhoids (1:17)
Steve Jablonsky, Pieter A. Schlosser
3m23 Wang Out Window (1:01)
Steve Jablonsky, Nathan Whitehead
3m24A Clean Up Wang (0:46)
3m24B Laserbeak Attacks Office (0:52)
Steve Jablonsky, Nathan Whitehead
3m25 That’s My Car (1:30)
Steve Jablonsky, Nathan Whitehead
4m28 Sentinel Revived (2:47)
Steve Jablonsky, Jacob Shea
4m29 Bumblebee At Home (1:14)
Steve Jablonsky, Pieter A. Schlosser
4m31 Simmons Interview (0:54)
4m32 Simmons Back In Action (0:29)
4m33 Prime In Africa (0:52)
4m34 Intel Confab (2:21)
4m35 Are You Coming With Me? (1:22) *
5m36 Tracking Russians (0:41)
5m38B Russians Find Pillars (1:12)
5m39B Back To NEST (0:50)
5m40 Robot Standoff (0:59)
5m41 Traitor Sentinel (3:18)
5m44 Go Get Carly (0:37) *
5m46 Assault At Dylan’s (3:13)
Steve Jablonsky, Todd Haberman
6m47 Sentinel’s Demands (0:42)
6m48 Prepping Xanthium For Liftoff (1:54)
6m50A Goodbyes (3:38)
6m50B Shuttle Liftoff (1:55)
6m50C Shuttle Explodes (0:58)
6m50D Tracking Dylan (0:59)
7m53 Sneak Into City Pt 1 (2:32) *
7m53B Sneak Into City Pt 2 (0:54)
7m54 Autobots Return (2:03)
7m55 Saving Carly (3:29)
8m56 v5 Communicating With NEST (1:44)
8m56 v6 ALT Communicating With NEST (Alternate) (1:44)
8m57 Planning Attack (1:05)
8m58 Autobots Storm Chicago (2:05)
Steve Jablonsky, Andrew Kawczynski
8m59 Osprey Assault (1:56)
Steve Jablonsky, Andrew Kawczynski
8m60A Diving Into Chicago (1:10)
8m60B Setting Up Rockets (0:43)
8m62 Trapped In Building – Falling Down Side (2:05)
8m63 Driller Attack (3:38)
Steve Jablonsky, Tom Gire
8m64 Starscream Loses His Head (1:24)
Steve Jablonsky, Andrew Kawczynski
9m66 Teams Surround Pillar (3:29)
Steve Jablonsky, Andrew Kawczynski
9m67AB Kill The Prisoners (2:28)
9m68 Parachuting In (0:39)
9m69A Pillar Assault Pt 1 (0:44)
9m69B Pillar Assault Pt 2 (0:47)
9m69C Pillar Assault Pt 3 (1:30)
9m69D Pillar Assault Pt 4 (0:50)
9m69E Pillar Assault Pt 5 (1:07)
9m70 Primes Fight (3:29)
9m71 Megatron’s Revenge (4:31)
9m72 Victory (2:01)
Song – Iridescent – Linkin Park (4:00)
Suite – Sentinel (3:16)
Suite – Noble Sentinel (4:23)
Suite – Battle (3:43)
Suite – Battle Glorious (5:55)
Suite – Driller (2:01)
Suite – Death & Return (4:43)
Suite – Conspiracy (3:49)
Suite – Chicago (7:44)
Suite – The Dark (3:42)
Suite – Sam (3:01)
Suite – Lost Signal (4:09)
Score Composed by Steve Jablonsky
Album Produced by Steve Jablonsky & Alex Gibson
Associate Album Producer Ryan Rubin
Executive Soundtrack Album Producers: Michael Bay, Lorenzo di Bonaventura & Rob Cavallo
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Soundtrack Album Coordinator: Jason Richmond
Marketing: TJ Landig
Music Recorded & Mixed by Alan Meyerson
Conducted by Nick Glennie-Smith
Supervising Orchestrator: Bruce Fowler
Orchestrators: Walter Fowler, Yvonne S. Moriarty, Rick Giovinazzo, Kevin Kaska, Ed Neumeister & Penka Kouneva
Music Production Services: Steven Kofsky
Ambient Music Design: Clay Duncan, Stephen Hilton
Supervising Music Editor: Alex Gibson
Music Editor: Ryan Rubin
Technical Score Engineer: Erick DeVore
Assistant Music Editor: Nevin Seus
Assistant Engineer: Satoshi Noguchi
Assistant Orchestrator: Lori Chavez
Additional Recording: Jeff Biggers, Geoff Foster, Jörg Hüttner
Soloists:
Guitar: George Doering
Cello: Martin Tillmann
Percussion: M.B. Gordy, Brian Kilgore, Peter Limonick, Wade Culbreath, Bernie Dresel, Dan Greco
Choir: Metro Voices
Choir Conducted by Gavin Greenaway
Choirmaster: Jenny O'Grady
Choir Contractor: Isobel Griffiths
Assistant Choir Contractor: Lucy Whalley
Music Preparation: Booker White
Music Contractors: Peter Rotter, Sandy DeCrescent
Pro Tools Operator: Kevin Globerman
Music Score Recorded at Sony Pictures Studio
Music Score Mixed at Remote Control Productions, Inc.
Mastered by Patricia Sullivan at Bernie Grundman Mastering, Hollywood, CA
The composer would like to thank:
Michael Bay, Steven Spielberg, Ian Bryce, Tom DeSanto , Lorenzo di Bonaventura, Don Murphy, Lorne Balfe, Atli Örvarsson, Hans Zimmer, Harry Gregson-Williams, Bob Badami, Randy Spendlove, Roger Barton, William Goldenberg, Joel Negron, Jeffrey Haboush, Greg Russell, Gary Summers, Ethan Van der Ryn, Erik Aadahl, Brandy Lakis, Pat Sandston, Andrew Form, Brad Fuller, Lucy Jablonsky, Jon Jablonsky, Katia Lewin Palomo, Czarina Russell, Sam Schwartz, Michael Gorfaine, Cheryl Tiano, Maria Machado, Estela Garcia, Felix Valeriano Sr., Felix Valeriano Jr., & everyone at Paramount Pictures, Bay Films & Remote Control Productions
Special thanks to:
Jacob Shea, Andrew Kawczynski, Nathan Whitehead, Tom Gire, Todd Haberman, Pieter Schlosser
Paramount Pictures thanks:
Dasmarie Alvino, Mary Jo Braun, Julie Butchko, Dan Butler, Eric Caldwell, Sheryl Carlin, Denise Carver, Jennifer Cornett, Jayne Edwards, Adam Ehrlich, Robert Gasper, Jeremy Geltzer, David Gueringer, Sonia Jauregui, Denise Luiso, Steven Lundy, Elise Mann, Liz McNicoll, Aron Pinsky, Jeannie Pool, Jennifer Schiller, Kim Seiniger, Susan Siering, Linda Springer, Hallie Volman, Linda Wohl, Eric Ybanez
Reprise Records thanks:
Rob Cavallo, Todd Moscowitz, Livia Tortella, Hildi Snodgrass, Marc Cimino, Charles Hamilton, Liza Joseph, Amy Zaret, Mike Sherwood, Dan Rose, Kazy Brown, Luke Burland, Rick Gershon, Stu Bergen, Michael Nance, Mike Sachs, Joe Maddern, Norman Wonderly, Devin Sarno, TJ Landig, Jaime Neely, Frank Maddocks, Alex Tenta, Francesca Del Regno, Paige MacLennan, Liz Sosey, Ruth Alter, Stephanie Weinstein
02 – Sentinel Prime (3:16)
03 – Lost Signal (4:08)
04 – In Time You’ll See (3:16)
05 – Impress Me (3:00)
06 – We Were Gods Once (4:22)
07 – Battle (3:40)
08 – There Is No Plan (3:36)
09 – We All Work For The Decepticons (1:51)
10 – The Fight Will Be Your Own (4:41)
11 – Shockwave’s Revenge (2:00)
12 – No Prisoners, Only Trophies (3:32)
13 – The World Needs You Now (1:59)
14 – It’s Our Fight (6:32)
15 – I’m Just The Messenger (4:25)
16 – I Promise (1:58)
17 – Our Final Hope (3:42)
Do we have some new information on composer’s credits here? What did Lorne Balfe?
Kawczynski was Balfe’s guy at that time, right? So that means that every Andrew’s track is basicly co-written by Balfe?..
Do we have some new information on composer’s credits here? What did Lorne Balfe?
Kawczynski was Balfe’s guy at that time, right? So that means that every Andrew’s track is basicly co-written by Balfe?..
The main melody of “The Dark” Suite/”Our Final Hope” is used to represent Megatron throughout the film. However, the version from the suite (and 8m57 Planning Attack) sounds much more inspirational. Was the theme meant to be ironic (since Megatron becomes Optimus’s final hope to defeating Sentinel)?
The Dark is a NEST theme in this movie (in previous NEST’s theme was Linkin Park song)
“We Were Gods Once” is Megatron/Evil Sentinel theme
The main melody of “The Dark” Suite/”Our Final Hope” is used to represent Megatron throughout the film. However, the version from the suite (and 8m57 Planning Attack) sounds much more inspirational. Was the theme meant to be ironic (since Megatron becomes Optimus’s final hope to defeating Sentinel)?
The Dark is a NEST theme in this movie (in previous NEST’s theme was Linkin Park song)
“We Were Gods Once” is Megatron/Evil Sentinel theme
There are plenty on this site. Click on "media" up top
There are plenty on this site. Click on "media" up top