SERIES CREDITS
EPISODES 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13 & 14
Music by Brian Tyler
EPISODES 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25 & 26
Music by Brian Tyler & Matthew Margeson
Music Editor: Bob Lydecker
Music Composed by Brian Tyler
Produced by Brian Tyler
Music Performed by Brian Tyler & The Slovak National Symphony Orchestra
Music Recorded at Slovak Radio Concert Hall & Brian Tyler Studios
Additional Music by Matthew Margeson
Score Conducted by Allan Wilson
Scoring Mixer: Jeff Biggers
Orchestrators: Robert Elhai, Dana Niu, Brad Warnaar & Pakk Hui
Musical Score Arrangements: Bob Lydecker
Music Editor: Bob Lydecker
Music Preparation: Eric Stonerook
Recording Engineer: Peter Fuchs
Music Contractor: Paul Talkington
Score Coordinators: Bob Lydecker & Matthew Llewellyn
Executive Album Producers for Lakeshore Records: Skip Williamson & Brian McNelis
Director of A&R: Eric Craig
Art Director: John Bergin
Mastered by DNA Mastering, Glendale, CA
Special Thanks: Lynn Hobensack & Don Smith
Hasbro Special Thanks
Advantage Audio, Shuzo Shiota & Polygon Pictures
Brian Tyler Special Thanks
Alex Kurtzman, Robert Orci, Jeff Kline, David Hartman, Duane Capizzi, Mandy Safavi, Therese Trujillo, Rafi Ruthchild, Steve Puri, Todd Waterman, Vinton Heuck, Shaunt Nigoghossian, Sam Schwartz, Michael Gorfaine, Cheryl Tiano, Sony Park, Maria Machado, Michael Miles, Roy Kaufman, Mom & Dad, Jill & Ben Shaver, Beth Comstock, Matthew Llewellyn, Jonathan Bartz & Mathias Dougherty
02 – Optimus Prime Returns (2:07)
03 – One Shall Rise (2:43)
04 – Dreadwing (1:41)
05 – In Defense Of Humanity (2:26)
06 – We Have Returned (4:42)
07 – Relentless Pursuit (4:36)
08 – This Is Your Home Now (5:02)
09 – Autobot Stratagum (2:38)
10 – Battle In The Energon Mine (3:12)
11 – Proximity Sensors (2:17)
12 – Cutting It A Bit Close (1:28)
13 – The Cons Are Back (4:46)
14 – RC On The Move (2:02)
15 – Always Welcome (2:11)
16 – Arachnid (4:10)
17 – The Space Bridge (1:29)
18 – Dogfight (4:52)
19 – Bumblebee (1:37)
20 – Next Day After School (1:12)
21 – Cybertron (1:31)
22 – Megatron On The Move (2:44)
23 – The Construct (2:16)
24 – Prime Finale (4:16)
25 – Transformers Prime End Title (3:05)
@Hybrid do you know specifically what cues Matt worked on for Battle: LA?
@Hybrid do you know specifically what cues Matt worked on for Battle: LA?
Speaking of Tyler, am I the only one who found that the main theme of Thor The Dark Word is pretty similar to the opening title of Contender?
Speaking of Tyler, am I the only one who found that the main theme of Thor The Dark Word is pretty similar to the opening title of Contender?
Of course it's legal…
I mean, all the credits I get are basically royalties sheets (cuesheet).
The thing is around RCP it's common to have detailed things, but they are not "forced" to do so. It's just the local culture. And it's not shared all around the non RCP guys.
I just checked Tyler's Iron Man 3 cuesheet and of course he's solo credited there. No money for Halli Cauthery, Stu Thomas, Tony Morales, Sarah Schachner or R. Lydecker… Of course they get paid (contract) when they work with him, but they won't get any other money in the future. That's the way it is…
Of course it's legal…
I mean, all the credits I get are basically royalties sheets (cuesheet).
The thing is around RCP it's common to have detailed things, but they are not "forced" to do so. It's just the local culture. And it's not shared all around the non RCP guys.
I just checked Tyler's Iron Man 3 cuesheet and of course he's solo credited there. No money for Halli Cauthery, Stu Thomas, Tony Morales, Sarah Schachner or R. Lydecker… Of course they get paid (contract) when they work with him, but they won't get any other money in the future. That's the way it is…
He doesn't give royalties? Is that even legal? It would certainly explain how he's able to do so many scores in a year…sheesh.
Not surprised to hear about Margeson; Skyline sounds so much like a Tyler score it isn't even funny. :p
He doesn't give royalties? Is that even legal? It would certainly explain how he's able to do so many scores in a year…sheesh.
Not surprised to hear about Margeson; Skyline sounds so much like a Tyler score it isn't even funny. :p
No because Tyler rarely gives royalties…
A couple cues from Rambo (The Compound if my memory doesn't suck) are credited Haberman.
Matt did a LOT of the action stuff on Battle LA & Expendables 1.
No because Tyler rarely gives royalties…
A couple cues from Rambo (The Compound if my memory doesn't suck) are credited Haberman.
Matt did a LOT of the action stuff on Battle LA & Expendables 1.