FILM CREDITS
Music by John Powell
Music Editor: Mike Higham
Executive in Charge of Music for Universal Pictures: Kathy Nelson
Music Conducted by Gavin Greenaway
Music Orchestrated by John A. Coleman & John Ashton Thomas
Orchestral Contractor: Isobel Griffiths
Orchestra Leader: Gavyn Wright
Music Recorded & Mixed by Simon Rhodes
Additional Recording: Dan Lerner
Recorded & Mixed at Abbey Road Studios
Assistant Engineer: Rob Houston
Music Copyist: Fiesta Mei Ling
Solo Vocal: Oliver Powell
Composer Assistants: Germaine & Matteo Franco
ALBUM ASSEMBLY
Prayers : 1m01 Prayers (Main Title) Pt 1 + 1m02A Prayers (Main Title) Pt 2 + 1m02B Prayers (Main Title) Pt 3
Pull The Tapes : 3m02 NEADS
Take Off : 2m05 Take Off
2nd Plane Crash : 3m06 WTC Hit
Making The Bomb : 4m04 Making The Bomb
The Pilots : 5m07 Dead Pilots
The Pentagon : 6m02 Pentagon Hit
Phone Calls : 6m04-05 Phone Calls
The End : 7m01 The End
Dedication : 7m02A Dedication Pt 1 + 7m02B Dedication Pt 2
1m02A Prayers (Main Title) Pt 2 (3:27)
1m02B Prayers (Main Title) Pt 3 (0:44)
1m04 Push Back (1:24)
2m03 Pull The Tapes (2:59)
2m05 Take Off (3:10)
3m02 NEADS (4:16)
3m06 WTC Hit (2:30)
4m04 Making The Bomb (4:00)
5m07 Dead Pilots (1:24)
6m02 Pentagon Hit (1:46)
6m04-05 Phone Calls (10:51)
7m01 The End (5:52)
7m02A Dedication Pt 1 (2:00)
7m02B Dedication Pt 2 (1:52)
7m03 End Roller (6:58)
Music by John Powell
Produced by John Powell
Executive Album Producer: Robert Townson
Executives in Charge of Music for Universal Pictures: Kathy Nelson & Harry Garfield
Music Business Affairs for Universal Pictures: Phil Cohen
Album Direction for Universal Pictures: David Buntz
Music Editor: Mike Higham
Music Conducted by Gavin Greenaway
Music Orchestrated by John A. Coleman & John Ashton Thomas
Orchestral Contractor: Isobel Griffiths
Orchestra Leader: Gavyn Wright
Music Recorded & Mixed by Simon Rhodes
Additional Recording: Daniel Lerner
Recorded & Mixed at Abbey Road, Studio 1
Assistant Engineer: Rob Houston
Music Copyist: Fiesta Mei Ling
Solo Vocal: Oliver Powell
Composer Assistants: Germaine & Matteo Franco
John Powell would like to thank Paul Greengrass, Lloyd Levin, Tim Bevan, Eric Fellner, Nick Angel, Chris Rouse, Clare Douglas, Rick Pearson, Mike Higham, Laura Engel, Richard Kraft, & all the musicians
This music is a prayer for peace & is dedicated to Melinda, Oliver & all those killed & damaged on September 11th 2001
With thanks to Tim Bevan, Eric Fellner, Paul Greengrass, Lloyd Levin, Liza Chasin, Debra Hayward, Angela Morrison, Michelle Wright, Sheeraz Shah, Nick Angel, Sarah-Jane Robinson, Grainne McKenna, Lucy Wainwright, Alexandra Hill, Nicola Garrett, Kate Fasulo, David Livingstone, Charlotte Saint, Kate Wyhowska, Justine Concannon, Susan Butterly, John Powell, Mike Solinger, Germaine & Matteo Franco, Mike Higham, Isobel Griffiths & all at Universal Pictures
Universal Pictures thanks Eddie Egan, Alex Flores, Adam Fogelson, Robert Gasper, Tiffany Jones, Jordan Hudock, Trevon Kezios, Anita LaBonte, Donna Langley, Felicia Less, Fiorenza Lewis, David Linde, Jessica Montague, David O'Connor, Keith Palmer, Chris Saranec, Steve Scott, Angie Sharma, Marc Shmuger, Pam Springs, Kelly Stone & Robin Ward
02 – Pull The Tapes (4:14)
03 – Take Off (3:07)
04 – 2nd Plane Crash (2:27)
05 – Making The Bomb (3:57)
06 – The Pilots (1:21)
07 – The Pentagon (1:43)
08 – Phone Calls (10:49)
09 – The End (5:50)
10 – Dedication (3:51)
By the Way i’m Form Mexico City
What a Awsome Music.
I WANT THE DAMN CD NOW¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡
By the Way i’m Form Mexico City
What a Awsome Music.
I WANT THE DAMN CD NOW¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡
I saw the film recently in Sydney and found the score to be a sensitive accompaniment to the film. The references to – unwittingly or not – New York minimalism (especially Steve Reich) are very canny and appropriate. A film like this doesn’t need a psychologically manipulative or lavish score. Underscoring is what’s required and congratulations on delivering just that with no loss of sophistication.
I saw the film recently in Sydney and found the score to be a sensitive accompaniment to the film. The references to – unwittingly or not – New York minimalism (especially Steve Reich) are very canny and appropriate. A film like this doesn’t need a psychologically manipulative or lavish score. Underscoring is what’s required and congratulations on delivering just that with no loss of sophistication.
Hey um i donno what to say because well i only watched the trailer and well i live in the Bahamas and they did not bring the movie here :( and i really wanted to watch it because even though i don’t kno anyone that died on september 11th i still feel pain in my heart :( and i really want to watch United 93 and well i bet the soundtrack is awesome because i’ve heard some of the extracts but i really want to watch the movie…can anyone help
Hey um i donno what to say because well i only watched the trailer and well i live in the Bahamas and they did not bring the movie here :( and i really wanted to watch it because even though i don’t kno anyone that died on september 11th i still feel pain in my heart :( and i really want to watch United 93 and well i bet the soundtrack is awesome because i’ve heard some of the extracts but i really want to watch the movie…can anyone help