FILM CREDITS
Music by Harry Gregson-Williams
Music Editor: Richard Whitfield
Temp Music Editor: Del Spiva
Assistant Music Editor: Meri Gavin
Orchestrator: Ladd McIntosh
Copyist: Booker White
Orchestral Contractor: Peter Rotter
Score Recorded & Mixed by Mal Luker
Additional Music: Justin Burnett
Additional Programming: Hybrid, Anthony Lledo & Halli Cauthery
Digital Recordists: Costa Kotselas & Jamie Luker
Score Recorded at The Newman Stage, Twentieth Century Fox
Recordist: Tim Lauber
Stage Managers: Tom Steel & Greg Dennen
Engineer: Denis St. Amand
Score Mixed at Wavecrest Studios, Venice CA
Featured Musicians:
Electric Guitars: Heitor Pereira & Tony Morales
Electric Cello: Martin Tillman
Electric Violin: Hugh Marsh
ALBUM ASSEMBLY
Stanton, PA : 1m01 v69 Will Bull Pen + 1m03 v18 School Kids Arrive + 2m07 v14 Diverting Kid Train
Frank Barnes : 2m10 v47 Frank & Will (Edited) + 3m31 v62 Already Fired (Edited) + 4m36 v18 Frank's Story (Edited)
Will's Story : 4m32B v37 Will's Story
Ned : 2m11 v23 Ned Waits + 2m14-15 v24 Connie Calls & Chase
Dewey : 1m05 v162 Losing Triple 7
Not A Coaster : 4m43 v108 Stretching & Braking
"Are You In Or Are You Out?" : 5m44 v138 Frank Goes Out (Edited) + EC End Credits (Edited) + 4m38 v46 Darcy Sees Will On TV (Edited) + 4m36 v18 Frank's Story
Realign The Switch : 3m28 v59 Collision Course (Edited) + 3m21 v13 Realign The Switch + 3m25A NEWEST v10 Lash Up Aftermath
Galvin's Strategy : 3m23 v49 Prepping For Lash Up + 2m20 v53 Horse Trailer Crash
Playing Chicken With Trains : 3m26B v40 Playing Chicken With Trains + 3m25 Lash Up End
Will Guides 1206 : 4m41 v35 Will Guides 1206 + 4m42 v36 Will's OK
The Stanton Curve : 5m45 v185 Stanton Curve + 5m45B v11 PITCHED Will & Ned Race
"Who Do I Kiss First?" : 5m47A v44 Will Jumps + 5m47B v44 Good Job Kid + 5m48 v66 Press Conference
1m03 v18 School Kids Arrive (1:01)
1m05 v162 Losing Triple 7 (2:25)
2m07 v14 Diverting Kid Train (0:43)
2m10 v47 Frank & Will (1:30)
2m11 v23 Ned Waits (0:59)
2m12 v30 Not A Coaster (1:18)
2m13 v78 Kids Near Miss (0:55)
2m14-15 v24 Connie Calls & Chase (1:39)
2m16 v50 Too Many Cars (3:06)
2m20 v53 Horse Trailer Crash (1:10)
3m21 v13 Realign The Switch (2:39)
3m23 v49 Prepping For Lash Up (1:29)
3m25 Lash Up End (1:02)
3m25 v24 Round The Corner (0:48)
3m25A NEWEST v10 Lash Up Aftermath (0:56)
3m25A v5 Lash Up Aftermath (Alternate) (0:41)
3m26A v4 Judd Dead (0:51)
3m26B v40 Playing Chicken With Trains (0:36)
3m28 v59 Collision Course (1:45)
3m29 v31 Are You In Or Not? (0:50)
3m30 v21 30000 Gallons (1:11)
3m31 v62 Already Fired (2:08)
4m32B v37 Will’s Story (1:56)
4m36 v18 Frank’s Story (1:35)
4m38 v46 Darcy Sees Will On TV (2:11)
4m41 v35 Will Guides 1206 (2:14)
4m42 v36 Will’s OK (1:57)
4m43 v108 Stretching & Braking (2:18)
5m44 v138 Frank Goes Out (2:34)
5m44B NEW v22 Approaching The Curve (1:15)
5m45 v185 Stanton Curve (4:33)
5m45B v11 ORIGINAL Will & Ned Race (1:31)
5m45B v11 PITCHED Will & Ned Race (Alternate) (1:06)
5m47A v44 Will Jumps (1:16)
5m47B v44 Good Job Kid (1:35)
5m48 v66 Press Conference (1:37)
EC End Credits (4:22)
Music Composed & Produced by Harry Gregson-Williams
Featured Musicians
Piano: Harry Gregson-Williams
Electric Guitars: Heitor Pereira & Tony Morales
Electric Cello: Martin Tillman
Electric Violin: Hugh Marsh
Orchestrator: Ladd McIntosh
Concert Master: Endre Granat
Copyist: Booker White
Orchestral Contractor: Peter Rotter
Score Recorded & Mixed by Mal Luker
Additional Music: Justin Burnett
Additional Programming: Hybrid, Anthony Lledo & Halli Cauthery
Digital Recordists: Costa Kotselas & Jamie Luker
Score Recorded at The Newman Stage, Twentieth Century Fox
Recordist: Tim Lauber
Stage Managers: Tom Steel & Greg Dennen
Engineer: Denis St. Amand
Score Mixed at Wavecrest Studios, Venice, CA
Music Editors: Richard Whitfield, Meri Gavin & Del Spiva
Album Produced by Harry Gregson-Williams
Executive Album Producers for La-La Land Records: MV Gerhard & Matt Verboys
Mastered by James Nelson at Digital Outland, Tacoma, WA
Executive in Charge of Music for 20th Century Fox: Robert Kraft
Music Supervised for 20th Century Fox by Danielle Diego
Business Affairs for 20th Century Fox: Tom Cavanaugh
Music Production Coordinator: Rebecca Morellato
Thank You: Alexander Beltran, Ellen Ginsburg, Cathry Merenda & Jo Ann Orgel
Harry would like to thank: Tony Scott, Chris Lebenzon, Robert, Danielle & Rebecca at Twentieth Century Fox Music, Ryeland Allison, all at Wavecrest Music for their unparalleled support & expertise & Jude, Josh, Jessie & Erin Gregson-Williams for their patience & understanding!
02 – Frank Barnes (2:11)
03 – Will’s Story (1:56)
04 – Ned (2:08)
05 – Dewey (2:25)
06 – Not A Coaster (2:18)
07 – “Are You In Or Are You Out?” (6:13)
08 – Realign The Switch (3:10)
09 – Galvin’s Strategy (2:25)
10 – Playing Chicken With Trains (1:35)
11 – Will Guides 1206 (4:04)
12 – The Stanton Curve (6:02)
13 – “Who Do I Kiss First?” (4:20)
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I tried to compare Project Details complete score with actual film mix and it’s quite a mess
Either editors chopped this bad boy like Transformers, either this list doesn’t feature some cues…
I tried to compare Project Details complete score with actual film mix and it’s quite a mess
Either editors chopped this bad boy like Transformers, either this list doesn’t feature some cues…
Surprised Clay Duncan didn’t work on this cause it has his sound written all over it, great score regardless
Surprised Clay Duncan didn’t work on this cause it has his sound written all over it, great score regardless
strange thing is, whenever someone speaks up here or in the "man on fire" thread, there is such a silence. i doubt there is no interest for these complete scores, but why is everyone so nervously silent?
strange thing is, whenever someone speaks up here or in the "man on fire" thread, there is such a silence. i doubt there is no interest for these complete scores, but why is everyone so nervously silent?
you don't
you don't
I forgot some other credits: Halli Cauthery and Hybrid as additional music programmers, Booker White as copyist and Tim Lauber as recordist
I forgot some other credits: Halli Cauthery and Hybrid as additional music programmers, Booker White as copyist and Tim Lauber as recordist