Atli Örvarsson
Composer
Clay Duncan
Additional Music
Ryeland Allison
Additional Music
Henry Jackman
Additional Music
Jörg Hüttner
Ambient Music Design
Bruce Fowler
Orchestrator
Penka Kouneva
Orchestrator
Suzette Moriarty
Orchestrator
Nick Glennie-Smith
Conductor
Heitor Pereira
Musician
Satnam Ramgotra
Musician
Alan Meyerson
Music Scoring Mixer
Jeff Biggers
Score Recordist
Slamm Andrews
Score Recordist
Jacob Shea
Technical Score Engineer
Thomas Broderick
ProTools Engineer
Matt Ward
ProTools Engineer
Kevin Globerman
ProTools Engineer
Greg Vines
ProTools Engineer
Hans Zimmer
Music Consultant
Bob Badami
Music Consultant
Steven Kofsky
Music Production Services
VANTAGE POINT, 2008, Directed by Pete Travis
FILM CREDITS
Music by Atli Örvarsson
Music Consultant: Bob Badami
Music Editor: Dina Eaton
Assistant Music Editor: Stuart Morton
Orchestrations by Bruce Fowler
Recorded & Mixed by Alan Meyerson
Additional Music by Henry Jackman & Clay Duncan
Music Programming: Ryeland Allison & Jörg Hüttner
Music Conducted by Nick Glennie-Smith & Steve Bartek
Music Contractor: DeCrescent & Rotter
Music Preparation: Suzie Katayama
Music Production Coordinator: Steven Kofsky
Special Thanks to Hans Zimmer
ALBUM ASSEMBLY
Vantage Point Main Title : 1m1 Main Title
Motorcade : 1m5 Barnes (Edited)
Enrique And Veronica : 2m10 Enrique Part 1
Run Enrique Run : 2m12 Enrique Chase (Edited)
Lewis And Anna : 2m13 Lewis
President And Decoy : 3m20 Hell Of A Retaliation (Edited) + 3m19 Ashton (Edited)
The Chase Begins : 4m24A Barnes Chase Part 1
Serendipity : 4m25 Final Confrontation
Epilogue : 5m27 The President Is Safe
Tightening Circle : 4m24B Barnes Chase Part 2
Clockwork : 3m23B Suarez' Plan Part 2
The President Is Safe : 5m26 The Last Shot
Explosion Aftermath : 1m9 Explosion Afermath (Edited)
Suarez' Plan : 3m23A Suarez' Plan Part 1
Vantage Point End Title : 5m28 End Credits
Atli Örvarsson
1m2 The President Arrives (2:45)
Atli Örvarsson
1m3 The President’s Been Shot (1:30)
Atli Örvarsson
1m4 Angie Is Dead (0:53)
Atli Örvarsson
1m4A Rewind #1 (0:18)
Atli Örvarsson
1m5 Barnes (3:26)
Atli Örvarsson
1m6A It’s Just A Camera (0:31)
Atli Örvarsson
1m8 It’s Just A Fan (4:28)
Atli Örvarsson
1m9 Explosion Afermath (3:45)
Atli Örvarsson
2m9A Rewind #2 (0:15)
Atli Örvarsson
2m10 Enrique Part 1 (2:55)
Atli Örvarsson
2m10B Enrique Part 2 (1:25)
Atli Örvarsson
2m12 Enrique Chase (2:42)
Atli Örvarsson
2m12A Rewind #3 (0:21)
Atli Örvarsson
2m13 Lewis (1:20)
Atli Örvarsson
2m15 Lewis Meets Anna (0:43)
Atli Örvarsson
2m17 Lewis Witnesses Shooting (3:22)
Atli Örvarsson
2m18 Lewis Chase (5:04)
Atli Örvarsson, Ryeland Allison
3m18A Rewind #4 (0:19)
Atli Örvarsson
3m19 Ashton (2:07)
Atli Örvarsson
3m20 Hell Of A Retaliation (1:37)
Atli Örvarsson
3m21A The President (0:55)
Atli Örvarsson
3m21A ALT The President (Alternate) (0:38)
Atli Örvarsson
Atli Örvarsson
3m22A Rewind #5 (0:17)
Atli Örvarsson
3m23A Suarez’ Plan Part 1 (4:05)
Atli Örvarsson, Clay Duncan
3m23B Suarez’ Plan Part 2 (5:08)
Atli Örvarsson
3m23C Suarez’ Plan Part 3 (2:01)
Atli Örvarsson, Clay Duncan
4m24 Barnes Spots Taylor (1:01)
Atli Örvarsson
4m24A Barnes Chase Part 1 (2:51)
Atli Örvarsson
4m24B Barnes Chase Part 2 (3:19)
Atli Örvarsson, Henry Jackman
4m24C Barnes Chase Part 3 (4:20)
Atli Örvarsson, Henry Jackman
4m25 Final Confrontation (4:39)
Atli Örvarsson
5m26 The Last Shot (1:54)
Atli Örvarsson
5m27 The President Is Safe (1:55)
Atli Örvarsson
5m28 End Credits (2:02)
Atli Örvarsson
Music by Atli Örvarsson
Produced by Atli Örvarsson
Executive Producer for Varese Sarabande: Robert Townson
Executive Producer: Neal H. Moritz
Executive in Charge of Music for Columbia Pictures: Lia Vollack
Music Consultants: Hans Zimmer & Bob Badami
Music Arranged & Programmed by Atli Örvarsson, Ryeland Allison, Clay Duncan & Henry Pryce Jackman
Music Conducted by Nick Glennie-Smith & Steve Bartek
Music Recorded by Alan Meyerson, Slamm Andrews & Jeff Biggers
Soloists:
Duduk & Flutes: Chris Bleth
Guitars & Dulcimers: George Doering
Voice: Leyla Hoyle
Guitar: Heitor Pereira
Tablas & Percussion: Satnam Ramgotra
Trumpet: Atli Örvarsson
Music Editors: Del Spiva & Dina Eaton
Music Production Services: Steven Kofsky
Orchestrations by Bruce Fowler, Penka Kouneva & Suzette Moriarty
Sound Design by Clay Duncan, Jörg Hüttner & Atli Örvarsson
Technical Score Engineers: Jörg Hüttner & Jacob Shea
ProTools Engineers: Thomas Broderick, Kevin Globerman, Greg Vines & Matt Ward
Music Contractor: Sandy DeCrescent & Peter Rotter
Music Preparation: Suzie Katayama
Music Performed by The Hollywood Studio Symphony
Mastered by Erick Labson
Atli Örvarsson would like to thank Lia Vollack, Raul Perez, Peter Travis, Stuart Baird, Neal Moritz, Hans Zimmer, Sam Schwartz, Bob Badami, Steven Kofsky, Mark Harris, Trevor Morris, Mike Post, Michael Gorfaine, Maria Machado, Cheryl Tiano, Jörg Hüttner, Pete Snell, Tom Broderick, Lorne Balfe, Czarina Russell, Rick Garcia, Kate Baird, Martin Tillman, Azam Ali & everyone else who helped making the creation of this score possible
Special Thanks to Anna Örvarsson, Hildur Svava Atladottir & Huldur Svava Karlsdottir
Thanks to Alex Beltran, Lisa Bright, Shelly Bunge, Candace Carlo, Valerie Caton, Rachel Daniels, Michael Frisby, Diane McKain
02 – Motorcade (1:36)
03 – Enrique And Veronica (2:55)
04 – Run Enrique Run (2:33) *
05 – Lewis And Anna (1:20)
06 – President And Decoy (1:38)
07 – The Chase Begins (2:50)
08 – Serendipity (4:40)
09 – Epilogue (1:55)
10 – Tightening Circle (3:19) **
11 – Clockwork (5:07)
12 – The President Is Safe (1:15)
13 – Explosion Aftermath (3:38)
14 – Suarez’ Plan (4:00)
15 – Vantage Point End Title (2:02)
**Co-written with Henry Jackman
Rumors says, this movie went through hell in editing room. They cut about 30-40 minutes and this “rewinding time” thing was made exactly here… (which wasn’t presented in original screenplay)
I’m curious, did this affect the score? Was Atli hired in the beginning of filming or at the last minute?
Rumors says, this movie went through hell in editing room. They cut about 30-40 minutes and this “rewinding time” thing was made exactly here… (which wasn’t presented in original screenplay)
I’m curious, did this affect the score? Was Atli hired in the beginning of filming or at the last minute?
Most of the tracks are so-so, but the ones using guitar (‘Main Title’, ‘Epilogue’, ‘End Title’) were delightful to listen and ‘Serendipity’ is a great cue for a strong moment in the movie.
Most of the tracks are so-so, but the ones using guitar (‘Main Title’, ‘Epilogue’, ‘End Title’) were delightful to listen and ‘Serendipity’ is a great cue for a strong moment in the movie.
very good id very beatfuil
very good id very beatfuil
@ Lee
Well, the front cover is a very nice one, but the back cover.. you’ve got to admit, there are better covers-designs on on other labels..
@ Lee
Well, the front cover is a very nice one, but the back cover.. you’ve got to admit, there are better covers-designs on on other labels..
thank you
thank you