Rupert Gregson-Williams
Composer
Lorne Balfe
Composer
Jim Dooley
Composer
Alastair King
Composer
Halli Cauthery
Additional Music
Hans Zimmer
Executive Score Producer
Gavin Greenaway
Conductor
Abhay Manusmare
Technical Music Assistant
Thomas Broderick
Technical Music Assistant
Mark Wherry
Technical Score Engineer
Andrew Zack
Assistant to Hans ZIMMER
WALLACE & GROMIT - THE CURSE OF THE WERE-RABBIT, 2005, Directed by Nick Park & Steve Box
FILM CREDITS
Music by Julian Nott
Music Produced by Hans Zimmer
Additional Music by Rupert Gregson-Williams, James Dooley, Alastair King & Lorne Balfe
Technical Score Engineer: Mark Wherry
Music Editors: Simon Changer & Michael Connell
Music Recorded at Air Studios Lyndhurst Hall, London & Abbey Road Studios, London
Music Recorded & Mixed by Geoff Foster
Additional Music Recorded by Simon Rhodes, Peter Cobbin & Rupert Coulson
Assistant Engineers: Chris Barrett, Jake Jackson, Ian Wood, Richard Lancaster & Nick Cervonaro
Music Conducted by Gavin Greenaway
Music Orchestrated by Nic Raine
Music Coordinated by Becky Bentham for Hothouse Music Ltd
Musicians Contractor: Isobel Griffiths Ltd
Orchestra Leader: Gavyn Wright
Music Preparation: Tony Stanton
Choir Master: Jenny O'Grady
Music Runner: Tristan Lillingston
Track Preparation: Rolan Heap, Richard Robson & David Walter
Assistant to Hans Zimmer: Andrew Zack
ALBUM ASSEMBLY
A Grand Day Out : 1m1 Opening Sequence
Anti-Pesto To The Rescue : 1m2A ALT Celeste Mystery + 1m02B Anti-Pesto
Bless You, Anti-Pesto : 1m3B All In A Night's Work + 1m4 Rack Of Knives - Cheeky Rabbits - Domestic Bliss (Edited)
Lady Tottington & Victor : 1m6B Lady Tottington Calls (Edited) + 1m6C Victor + 1m8B Victor's Toupé + 1m10 Stop Playing In The Earth Part 1 (Edited)
Fire Up The Bun-Vac : 1m7-8A Anti-Pesto To Tottington
Your Ladyship : 1m9 Your Ladyship (Edited) + 1m11 Stop Playing In The Earth Part 2 (Edited)
Brainwash & Co : 2m12A Brainwash The Bunnies
Harvest Offering : 2m15 Harvest Offering
Arson Around : 2m16 Gromit Wakes Up + 2m17A This Was No Man + 2m17B And For Our Sins + 2m17C Victor The Devil (Edited)
A Big Trap : 2m18-19 The Big Trap + 2m22A Were-Rabbit Chase + 2m22B The Tunnel
The Morning After : 3m23A The Morning After (Edited) + 3m25 More Footsteps
Transformation : 3m27 Ruin A Good Piece Of Knitwear + 3m28A Queensbury Rules + 3m28B Transformation
Ravaged In The Night : 3m32A Vegetable Competition Part 1 + 4m32B Vegetable Competition Part 2 (Edited) + 3m31 Hutch Is Wallace (Edited)
Fluffy Lover Boy : 4m33B-34 Bunny Brain - Totty Calls By (Edited) + 4m35 Goodbye Fluffy Loverboy
Kiss My Arrrtichoke : 4m37 Stuffed Bunny + 4m39-42 Gromit's Escape (Edited)
Dogfight : 5m48 Dogfight (Edited)
Every Dog Has His Day : 5m50 Were-Rabbit Dies (Edited) + 5m51 Every Dog Has His Day + 5m52 A Proposal
All Things Fluffy : 5m53 Bunny Sanctuary
Wallace & Gromit : EC End Title Theme
Julian Nott, James Dooley
1m2A Celeste Mystery (1:12)
Julian Nott, James Dooley
1m2A ALT Celeste Mystery (Alternate) (1:12)
Julian Nott, James Dooley
Julian Nott, Rupert Gregson-Williams
1m3A Cheeky Rabbit (0:25)
Julian Nott, Rupert Gregson-Williams
1m3B All In A Night’s Work (0:50)
Julian Nott, James Dooley
1m4 Rack Of Knives – Cheeky Rabbits – Domestic Bliss (2:37)
Julian Nott, James Dooley
1m5-6A Gromit’s Marrow – Latest Invention (2:13)
Julian Nott, James Dooley
1m6B Lady Tottington Calls (0:43)
Julian Nott, Alastair King
1m6C Victor (0:41)
Julian Nott, James Dooley
1m7-8A Anti-Pesto To Tottington (1:47)
Julian Nott, Rupert Gregson-Williams
1m8B Victor’s Toupé (0:25)
Julian Nott, Rupert Gregson-Williams, Alastair King
1m9 Your Ladyship (0:55)
Julian Nott, James Dooley
1m10 Stop Playing In The Earth Part 1 (0:39)
Julian Nott, Rupert Gregson-Williams, Lorne Balfe
1m11 Stop Playing In The Earth Part 2 (0:52)
Julian Nott, Rupert Gregson-Williams, Lorne Balfe
2m12A Brainwash The Bunnies (2:28)
Julian Nott, Rupert Gregson-Williams
2m12B Thanks Lad (0:44)
Julian Nott, Rupert Gregson-Williams
2m14 Hutch Breaks Out (0:38)
Julian Nott, Lorne Balfe
2m15 Harvest Offering (2:31)
Julian Nott, Rupert Gregson-Williams, Lorne Balfe
2m16 Gromit Wakes Up (0:49)
Julian Nott, James Dooley
2m17A This Was No Man (0:42)
Julian Nott
2m17B And For Our Sins (0:35)
Julian Nott, Alastair King
2m17C Victor The Devil (0:44)
Julian Nott, James Dooley
2m18-19 The Big Trap (1:18)
Julian Nott, Rupert Gregson-Williams
2m19B Lady Rabbit Jazz (0:44)
Julian Nott
2m20B The Bridge (0:13)
Julian Nott, Rupert Gregson-Williams
2m21 Light Of The Moon (0:50)
Julian Nott, James Dooley
2m22A Were-Rabbit Chase (1:09)
Julian Nott, Rupert Gregson-Williams
2m22B The Tunnel (1:09)
Julian Nott, Lorne Balfe
3m23A The Morning After (2:18)
Julian Nott, James Dooley
3m23B Fantastic (0:23)
Julian Nott
3m24 Beast Caged (0:32)
Julian Nott, Rupert Gregson-Williams
3m25 More Footsteps (1:05)
Julian Nott, James Dooley
3m26 Tea At Tottington (3:24)
Julian Nott, Rupert Gregson-Williams
3m27 Ruin A Good Piece Of Knitwear (0:59)
Julian Nott, Lorne Balfe
3m28A Queensbury Rules (1:17)
Julian Nott, Lorne Balfe
3m28B Transformation (1:56)
Julian Nott, Lorne Balfe
3m29 Nun Wrestling – Monster Book (1:42)
Julian Nott, James Dooley
3m30 Breakfast (2:20)
Julian Nott, James Dooley
3m31 Hutch Is Wallace (1:00)
Julian Nott, Rupert Gregson-Williams
3m32A Vegetable Competition Part 1 (0:17)
Julian Nott, Alastair King
4m32B Vegetable Competition Part 2 (1:06)
Julian Nott, Alastair King
4m33B-34 Bunny Brain – Totty Calls By (3:31)
Julian Nott, James Dooley
4m35 Goodbye Fluffy Loverboy (1:46)
Julian Nott, Rupert Gregson-Williams
4m36A The Beast Is Dead (0:19)
Julian Nott, James Dooley
4m37 Stuffed Bunny (1:12)
Julian Nott, James Dooley
4m39-42 Gromit’s Escape (4:46)
Julian Nott, Rupert Gregson-Williams
4m43A Golden Carrot Bullet (0:20)
Julian Nott, Lorne Balfe
5m43B Lady Tottington Realizes It’s Gromit (0:42)
Julian Nott, Lorne Balfe
5m44 Pre-Dogfight (0:27)
Julian Nott, Rupert Gregson-Williams
5m45-47 I’ll Protect You (1:00)
Julian Nott, James Dooley
5m48 Dogfight (3:40)
Julian Nott, Lorne Balfe
5m49 Consider Yourself Dumped (0:59)
Julian Nott, James Dooley
5m50 Were-Rabbit Dies (1:18)
Julian Nott, James Dooley
5m51 Every Dog Has His Day (1:00)
Julian Nott, James Dooley
5m52 A Proposal (0:39)
Julian Nott, James Dooley
5m53 Bunny Sanctuary (1:08)
Julian Nott, Rupert Gregson-Williams
EC End Title Theme (1:09)
Julian Nott
Original Music Composed by Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe & Alastair King
Score Produced by Hans Zimmer
Music Orchestrated by Nic Raine
Score Technical Engineer: Mark Wherry
Music Editors: Simon Changer & Michael Connell
Score Coordination: Becky Bentham for HotHouse Music Ltd.
Score Recorded by Geoff Foster, Simon Rhodes, Peter Cobbin & Rupert Coulson
Score Mixed by Geoff Foster
Engineers: Chris Barratt, Jake Jackson, Ian Wood, Nick Cervonaro & Richard Lancaster
Score Recorded at Air Studios, Lyndhurst Hall & Abbey Road Studios
Music Conducted by Gavin Greenaway
Orchestra Leader: Gavyn Wright
Executive Assistant to Hans Zimmer: Andrew Zack
Technical Assistants to Hans Zimmer: Tom Broderick & Abhay Manusmare
Orchestra Contractor: Isobel Griffiths Ltd.
Music Preparation: Tony Stanton
Choir Master: Jenny O'Grady
Track Preparation: Richard Robson, David Walter & Roland Heap
Music Team Runner: Tristan Lillingston
Executive in Charge of Music for DreamWorks: Sunny Park
Executive Soundtrack Album Producer: Robert Townson
Album Produced: Mark Wherry
Music Coordinators: Julie Imboden Keely & Ken "Kaz" Smith
Music Clearances: Jo Miller & Julie Butchko
Music Business Affairs: Gareth Overton-Edwards, Lenny Wohl & Jennifer Schiller
Mastered by Bruce Maddocks
Julian Nott thanks David May
Hans Zimmer thanks Slamm Andrews, Klaus Badelt, Jeff Biggers, Andy Birch, Ronni Chasen, Ramin Djawadi, Clay Duncan, Becca Gatrell, Michael Gorfaine, Harry Gregson-Williams, Rupert Gregson-Williams, Bart Hendrickson, Charlene Huang, Steve Jablonsky, Steven Kofsky, Abbie Lister, Henning Lohner, Trevor Morris, Moanike'ala Nakamoto, Blake Neely, Heitor Pereira, Sam Schwartz, Chris Strong, Greg Vines, Ryan A. Watkins, Geoff Zanelli, Suzanne Zimmer & the "Mini Z's", Zoe Zimmer & Brigitte Zimmer
Julian Nott, James Dooley
02 – Anti-Pesto To The Rescue (3:18)
Julian Nott, James Dooley, Rupert Gregson-Williams
03 – Bless You, Anti-Pesto (1:56)
Julian Nott, James Dooley
04 – Lady Tottington & Victor (2:04)
Julian Nott, Rupert Gregson-Williams, James Dooley, Lorne Balfe, Alastair King
05 – Fire Up The Bon-Vac (1:48)
Julian Nott, Rupert Gregson-Williams
06 – Your Ladyship (1:06)
Julian Nott, James Dooley, Rupert Gregson-Williams, Lorne Balfe
07 – Brainwash & Go (2:27)
Julian Nott, Rupert Gregson-Williams
08 – Harvest Offering (2:30)
Julian Nott, Rupert Gregson-Williams, Lorne Balfe
09 – Arson Around (2:24)
Julian Nott, James Dooley, Alastair King
10 – A Big Trap (3:28)
Julian Nott, Rupert Gregson-Williams, Lorne Balfe
11 – The Morning After (1:45)
Julian Nott, James Dooley
12 – Transformation (4:06)
Julian Nott, Lorne Balfe
13 – Ravaged In The Night (1:45)
Julian Nott, Rupert Gregson-Williams, Alastair King
14 – Fluffy Lover Boy (4:36)
Julian Nott, James Dooley, Rupert Gregson-Williams
15 – Kiss My Arrrtichoke (4:31)
Julian Nott, James Dooley, Rupert Gregson-Williams
16 – Dogfight (3:39)
Julian Nott, Lorne Balfe
17 – Every Dog Has His Day (2:43)
Julian Nott, James Dooley
18 – All Things Fluffy (1:08)
Julian Nott, Rupert Gregson-Williams
19 – Wallace & Gromit (1:09)
Julian Nott
What was it that happened on this score so that all these RCP folks (including the Z himself) had to jump in and assist the composer?
The Aardman guys wanted Nott on Chicken Run (he even wrote some demos) but were overruled by the suits at Dreamworks who didn’t trust him with a full feature film for whatever reason and preferred to get their known RCP guys from Antz instead. My guess is that Aardman was able to talk them into a compromise for Wallace & Gromit whereby they got Nott back but RCP was still there to help and supervise on the Hollywood side of things.
Google search “Julian Nott’s nice music” and you’ll find an interview where he explains the situation.
What I heard was that Nott’s initial score was not much cohesive as a whole full length-feature. It worked more like short film scores one after the other for the scenes. So RCP’s intervention was to take that score and readapt it and indeed, make it more modern.
Thanks, guys
What was it that happened on this score so that all these RCP folks (including the Z himself) had to jump in and assist the composer?
The Aardman guys wanted Nott on Chicken Run (he even wrote some demos) but were overruled by the suits at Dreamworks who didn’t trust him with a full feature film for whatever reason and preferred to get their known RCP guys from Antz instead. My guess is that Aardman was able to talk them into a compromise for Wallace & Gromit whereby they got Nott back but RCP was still there to help and supervise on the Hollywood side of things.
Google search “Julian Nott’s nice music” and you’ll find an interview where he explains the situation.
What I heard was that Nott’s initial score was not much cohesive as a whole full length-feature. It worked more like short film scores one after the other for the scenes. So RCP’s intervention was to take that score and readapt it and indeed, make it more modern.
Thanks, guys
Have any cue sheets or slates surfaced for this score?
Have any cue sheets or slates surfaced for this score?