X-Men – First Class – Project Details

2011
X-MEN - FIRST CLASS, 2011, Directed by Matthew Vaughn

FILM CREDITS

Music Composed by Henry Jackman

Temp Music Editor UK: Tony Lewis
Additional Music by Chris Willis, Matt Margeson & Dominic Lewis
Score Conducted by Nick Glennie-Smith
Score Orchestrated by Stephen Coleman & John Ashton Thomas
Additional Orchestrations by Noah Sorota
Score Contracted by DeCrescent/Rotter Music Contracting
Choir Contracted by Edie Lehmann-Boddicker
Music Copied by JoAnn Kane Music Services
Score Recorded by Frank Wolf
Score Mixed by Al Clay
Digital Recording by Erik Swanson & Slamm Andrews
Music Consultant: Jeff Biggers
Mix Assistants: Lori Castro & Katia Lewin
Score Technical Engineer: Alex Belcher
Technical Assistants: Jason Soudah & Victor Chaga
Score Recorded at Newman Scoring Stage, Twentieth Century Fox Post Productions Services
Stage Engineer: Denis St. Amand
Recordist: Tim Lauber
Stage Managers: Tom Steel & Greg Dennen
Score Mixed at Remote Control Productions
Music Production Services: Steve Kofsky
Glass Bowls Recorded at The Integratron by Joanne Karl
Featured Guitars: Corky James
Supervising Music Editor: Dan Pinder
Music Editor: John Finklea
Assistant Music Editor: Jack Dolman

"Concentration Camp (from X-Men)"
Written by Michael Kamen

ALBUM ASSEMBLY

First Class : X Stretch Hero v1.01
Pain And Anger :
1m03A Nazi Methods  (Edited) + 1m03B Main Title
Would You Date Me? :
1m04 Would You Date Me? (Edited)
Not That Sort Of Bank :
1m05 The Swiss Banker + 1m07 Bacon Instinct (Edited)
Frankenstein's Monster :
2m09 Argentinian Bar (Edited)
What Am I Thinking? :
2m17 You Can Show Off (Edited) + 2m18A Bacon Helmet Pt 1 + 2m18B Bacon Helmet Pt 2  
Cerebro :
3m19-21 Stay Out Of My Head - Cerebro (Edited)
Mobilise For Russia :
3m24-25 Mobilize For Russia (Edited)
Rise Up To Rule :
4m28-29 Under Attack (Edited) + 4m30-31 Rise Up To Rule (Edited)
Cold War :
4m33-34 One Week (Edited)
X-Training :
4m35-36 Training Montage (Edited)
Rage And Serenity :
4m37 Between Rage & Serenity
To Beast Or Not To Beast :
5m38B His & Hers Normal Juice + 5m39 Be The Better Men
True Colours :
5m41A ALT Behold The Beast
Let Battle Commence :
5m41B Two Tribes (Edited) + 5m42B X-Jet (Edited)
Sub Light :
5m43 Sub Lift (Edited)
Coup d'Etat :
6m46 Smoky Bacon (Edited)
Mutant And Proud :
6m49 Mutant & Proud
X-Men :
6m50 You're X-Men
Magneto :
6m51 I Prefer Magneto (Main On End)

1m01 1944 (0:23)
Henry Jackman (Michael Kamen)
1m02 Hot Chocolate (2:02)
Henry Jackman
1m03A Nazi Methods (1:18)
Henry Jackman
1m03B Main Title (1:47)
Henry Jackman
1m03C Swiss Bacon Search (1:03) 
Henry Jackman 
1m04 Would You Date Me? (2:23)
Henry Jackman
1m05 The Swiss Banker (1:48)
Henry Jackman
1m06 Non-CIA Issue (0:43)
Henry Jackman, Noah Sorota
1m06 ALT Non-CIA Issue (Alternate) (0:44)
Henry Jackman, Noah Sorota
1m07 Bacon Instinct (2:18)
Henry Jackman, Christopher Willis
2m08 Alterting Washington (1:35)
Henry Jackman, Christopher Willis
2m09 Argentinian Bar (3:15)
Henry Jackman
2m10 You Already Know The Answer (0:39)
Henry Jackman
2m11-12 Energized Bacon (1:41)
Henry Jackman, Christopher Willis
2m13A How’s That For A Magic Trick? (0:52)
Henry Jackman
2m13B Mutant Car Park (0:37)
Henry Jackman
2m14 Little Erik Lensherr (1:03)
Henry Jackman
2m15 Shaw Ship Redemption (3:17)
Henry Jackman, Matthew Margeson
2m16 Welcome To Division X (1:10)
Henry Jackman
2m17 You Can Show Off (1:19)
Henry Jackman, Christopher Willis
2m18A Bacon Helmet Pt 1 (1:09)
Henry Jackman
2m18B Bacon Helmet Pt 2 (0:39)
Henry Jackman
2m20 Take The Blood (1:20)
Henry Jackman
3m19-21 Stay Out Of My Head – Cerebro (3:57)
Henry Jackman
3m22 They’re Recruiting (1:38)
Henry Jackman
3m23 Havoc Slices Statue (0:37)
Henry Jackman, Noah Sorota
3m23 INS Havoc Slices Chords (Insert) (0:20)
Henry Jackman
3m24-25 Mobilize For Russia (3:16)
Henry Jackman, Dominic Lewis
3m26-27 Shaw Nuff (5:02)
Henry Jackman, Christopher Willis
4m28-29 Under Attack (3:30)
Henry Jackman, Matthew Margeson
4m30-31 Rise Up To Rule (3:33)
Henry Jackman, Christopher Willis
4m32 525,600 Mutants (0:28)
Henry Jackman
4m33-34 One Week (4:07)
Henry Jackman
4m35-36 Training Montage (5:22)
Henry Jackman
4m37 Between Rage & Serenity (2:10)
Henry Jackman
5m38A ALT Shaw Sub (0:58)
Henry Jackman
5m38B His & Hers Normal Juice (2:18)
Henry Jackman, Dominic Lewis
5m39 Be The Better Men (2:35)
Henry Jackman, Christopher Willis
5m40 The Real Raven (1:13)
Henry Jackman, Christopher Willis
5m41A Behold The Beast (1:54)
Henry Jackman, Christopher Willis
5m41A ALT Behold The Beast (Alternate) (1:56)
Henry Jackman, Christopher Willis
5m41B Two Tribes (2:24)
Henry Jackman, Matthew Margeson
5m42A The Blockade (2:26)
Henry Jackman, Matthew Margeson
5m42B X-Jet (2:24)
Henry Jackman, Dominic Lewis
5m43 Sub Lift (2:54)
Henry Jackman
5m43 INS Sub Lift (Insert) (0:30)
Henry Jackman
6m44 Mutant-On-Mutant Action (6:11)
Henry Jackman, Matthew Margeson
6m45 Crispy Bacon Splitter (2:59)
Henry Jackman, Christopher Willis
6m46 Smoky Bacon (2:21)
Henry Jackman, Christopher Willis
6m47 Missile Launch (0:50)
Henry Jackman, Matthew Margeson
6m48A Just Following Orders (0:47)
Henry Jackman, Christopher Willis
6m48B Missile Rebound (1:06)
Henry Jackman, Matthew Margeson
6m48C Charles Shot (1:22)
Henry Jackman
6m49 Mutant & Proud (3:47)
Henry Jackman
6m50 You’re X-Men (3:03)
Henry Jackman
6m51 I Prefer Magneto (Main On End) (1:53)
Henry Jackman, Matthew Margeson
Suite – X Stretch Hero v1.01 (3:21)
Henry Jackman
Suite – X Theme Demo v1 (2:22) 
Henry Jackman 
X-Men – First Class

X-Men – First Class

2011 56'38
Release date : 06/21/2011
BOOKLET CREDITS

Music Composed by Henry Jackman

Score Produced by Henry Jackman & Al Clay
Additional Music by Chris Willis, Matt Margeson & Dominic Lewis
Score Conducted by Nick Glennie-Smith
Score Orchestrated by Stephen Coleman & John Ashton Thomas
Additional Orchestrations by Noah Sorota
Score Contracted by DeCrescent/Rotter Music Contracting
Choir Contracted by Edie Lehmann-Boddicker
Music Copied by JoAnn Kane Music Service
Score Recorded by Frank Wolf
Score Mixed by Al Clay & Jeff Biggers
Digital Recording by Erik Swanson & Slamm Andrews
Additional Recording by Daniel Kresco
Mix Assistants: Lori Castro, Katia Lewin & Johnny Traunwieser
Score Technical Engineer: Alex Belcher
Technical Assistants: Jason Soudah, Victor Chaga & Ben Robinson
Score Recorded at Newman Scoring Stage, Twentieth Century Fox Post Production Services
Stage Engineer: Denis St. Amand
Recordist: Tim Lauber
Stage Managers: Tom Steel & Greg Dennen
Score Mixed at Remote Control Productions
Music Production Services: Steve Kofsky
Orchestra Leader: Bruce Dukov

Glass Bowls played by Joanne Karl
Synths: Henry Jackman & Jack Dolman
Piano: Henry Jackman, Randy Kerber & Jack Dolman
Bass: Daniel Pinder
Drums: Al Clay

Supervising Music Editor: Daniel Pinder
Music Editor: John Finklea
Assistant Music Editor: Jack Dolman
Assistant to Al Clay: Danny Stimac

Executive in Charge of Music for Twentieth Century Fox: Robert Kraft
Music Supervised for Twentieth Century Fox: Danielle Diego
Business Affairs for Twentieth Century Fox: Tom Cavanaugh
Music Production Supervised for Twentieth Century Fox: Rebecca Morellato

Henry would like to thank: Matthew Vaughn, Tarquin Pack, Lee Smith, Eddie Hamilton, Emma Watts, Lauren Shuler Donner, Ted Gagliano, Robert Kraft, Danielle Diego, Rebecca Morellato, Steve Kofsky, Hans Zimmer, John Powell, Sam Schwartz, Nick Glennie-Smith, Dan Pinder, John Finklea, Jack Dolman, Stephen Coleman, John Thomas, Matt Margeson, Chris Willis, Dom Lewis, Noah Sorota, Al Clay, Jeff Biggers, Frank Wolf, Slamm Andrews, Dan Kresco, Bruce Dukov, Steve Erdody, Corky James, Alex Belcher, Lori Castro, Katia Lewin, Satoshi Noguchi, Peter Rotter, Sandra Kipp, Ed Bainton, Leonie Mansfield, Shalini Singh, Czarina Russell, Andrew Zack, Adam Gough, Gregory Jamrock, Erik Swanson, Johnny Choi, Chuck Choi, Jason Soudah, Tom Broderick, Victor Chaga, Ben Robinson, Johnny Traunwieser, Andrew Miller, Sam Estes, Ron Bartlett, Alexander Beltran, Chris Burdon, Mark Cavell, Drew Crevello, Chris Dowell, Ellen Ginsburg, Doug Hemphill, John Larson, Cathy Merenda, Jo Ann Orgel, Isabelle Tulliez, WLP Ltd, Ralph, Ellie & Mum

Dedicated to William Jackman

01 – First Class (3:20)
Henry Jackman
02 – Pain And Anger (2:58)
Henry Jackman
03 – Would You Date Me? (1:44)
Henry Jackman
04 – Not That Sort Of Bank (3:27)
Henry Jackman, Christopher Willis
05 – Frankenstein’s Monster (3:03)
Henry Jackman
06 – What Am I Thinking? (2:10)
Henry Jackman, Christopher Willis
07 – Cerebro (2:23)
Henry Jackman
08 – Mobilise For Russia (1:18)
Henry Jackman, Dominic Lewis
09 – Rise Up To Rule (5:56)
Henry Jackman, Matthew Margeson, Christopher Willis
10 – Cold War (3:20)
Henry Jackman
11 – X-Training (4:26)
Henry Jackman
12 – Rage And Serenity (2:06)
Henry Jackman
13 – To Beast Or Not To Beast (4:47)
Henry Jackman, Dominic Lewis, Christopher Willis
14 – True Colours (1:51)
Henry Jackman, Christopher Willis
15 – Let Battle Commence (4:45)
Henry Jackman, Matthew Margeson, Dominic Lewis
16 – Sub Lift (2:19)
Henry Jackman
17 – Coup d’État (2:15)
Henry Jackman, Christopher Willis
18 – Mutant And Proud (3:28)
Henry Jackman
19 – X-Men (2:59)
Henry Jackman
20 – Magneto (1:58) 
Henry Jackman, Matthew Margeson 

20 Comments

  1. Mikkel October 16, 2014 at 10:24 am - Reply

    It's the same like this…

    01 Poland, 1944 – 0:54
    02 The Little Mutant – 1:35
    03 Move The Coin – 1:19
    04 Pain and Anger – 2:43
    05 Mystique – 2:24
    06 Not That Sort of Bank – 1:50
    07 Jupiter Missiles In Turkey / Frankenstein's Monster – 6:57
    08 Does Mutants Really Exist? – 1:43
    09 The Granade – 0:31
    10 What About This Magic Trick? – 0:53
    11 Boat's Fight – 5:02
    12 The New Mutants Division Of C.I.A. – 1:10
    13 Meeting Hanck / What Am I Thinking? – 2:44
    14 Cerebro – 5:13
    15 We Are The Atom's Sons – 1:39
    16 Alex – 1:21
    17 Into The Van – 1:19
    18 Russian Military Retreat – 6:10
    19 Where Are The Mutants? – 3:32
    20 Rise Up to Rule – 3:35
    21 Missiles In Cuba – 0:31
    22 A War Against Who? – 4:07
    23 X-Taining – 5:24
    24 Rage and Serenity – 2:12
    25 The World Is Ready For A War – 0:59
    26 To Beast or Not to Beast – 2:18
    27 The Beast – 2:37
    28 The True Raven – 1:14
    29 X-Team / Let Battle Commence – 9:37
    30 Sub Lift – 2:20
    31 Final Confrontation / Mutant and Proud / X-Men – 19:58
    32 Magneto – 2:54
    33 End Credits – 3:23

  2. Mikkel October 16, 2014 at 10:24 am - Reply

    It's the same like this…

    01 Poland, 1944 – 0:54
    02 The Little Mutant – 1:35
    03 Move The Coin – 1:19
    04 Pain and Anger – 2:43
    05 Mystique – 2:24
    06 Not That Sort of Bank – 1:50
    07 Jupiter Missiles In Turkey / Frankenstein's Monster – 6:57
    08 Does Mutants Really Exist? – 1:43
    09 The Granade – 0:31
    10 What About This Magic Trick? – 0:53
    11 Boat's Fight – 5:02
    12 The New Mutants Division Of C.I.A. – 1:10
    13 Meeting Hanck / What Am I Thinking? – 2:44
    14 Cerebro – 5:13
    15 We Are The Atom's Sons – 1:39
    16 Alex – 1:21
    17 Into The Van – 1:19
    18 Russian Military Retreat – 6:10
    19 Where Are The Mutants? – 3:32
    20 Rise Up to Rule – 3:35
    21 Missiles In Cuba – 0:31
    22 A War Against Who? – 4:07
    23 X-Taining – 5:24
    24 Rage and Serenity – 2:12
    25 The World Is Ready For A War – 0:59
    26 To Beast or Not to Beast – 2:18
    27 The Beast – 2:37
    28 The True Raven – 1:14
    29 X-Team / Let Battle Commence – 9:37
    30 Sub Lift – 2:20
    31 Final Confrontation / Mutant and Proud / X-Men – 19:58
    32 Magneto – 2:54
    33 End Credits – 3:23

  3. David May 27, 2014 at 5:04 pm - Reply

    I am a huge HZ fan but I definitely hear "Time" in Xavier's Theme. There's no denying it. Being I'm a Zimmer fan I'm not trying to defend or trash him. Sure, Zimmer kinda rips-off other pieces, or even uses temp tracks from other scores, but I'm sure he's not the only one?? Anyone with ears who listens to Time and then Xavier's theme can tell they're similar. It's blatantly obvious. As obvious as Jablonsky practically using "Mind Heist" in Transformers 3

  4. David May 27, 2014 at 5:04 pm - Reply

    I am a huge HZ fan but I definitely hear "Time" in Xavier's Theme. There's no denying it. Being I'm a Zimmer fan I'm not trying to defend or trash him. Sure, Zimmer kinda rips-off other pieces, or even uses temp tracks from other scores, but I'm sure he's not the only one?? Anyone with ears who listens to Time and then Xavier's theme can tell they're similar. It's blatantly obvious. As obvious as Jablonsky practically using "Mind Heist" in Transformers 3

  5. trent easton navarro May 27, 2014 at 8:53 am - Reply

    I'm sure the scene that used "Hope" was temp tracked with "Time" and Ottman did his best to make the cue his own.

    Let's not forget that most of the time the composers are forced to rip off the temp. I don't think Ottman said to himself, "you know what, I'm gonna rip off Hans for this cue". Ottman isn't the first composer who has the deal with a temp track and he sure won't be the last

  6. trent easton navarro May 27, 2014 at 8:53 am - Reply

    I'm sure the scene that used "Hope" was temp tracked with "Time" and Ottman did his best to make the cue his own.

    Let's not forget that most of the time the composers are forced to rip off the temp. I don't think Ottman said to himself, "you know what, I'm gonna rip off Hans for this cue". Ottman isn't the first composer who has the deal with a temp track and he sure won't be the last

  7. Rcp May 27, 2014 at 4:20 am - Reply

    Like I said, it is not a rip off of time you mouthy little bastard. Yes sure, it has a similar tone, structure, and orchestration. But listen to "Safe Now" by Henry Jackman or "New Horizon" by Ninja tracks – THOSE are "Time" ripoffs! "Hope" IS NOT a ripoff you blind piece of sh*t! Get what I am saying!? Apparently not

  8. Rcp May 27, 2014 at 4:20 am - Reply

    Like I said, it is not a rip off of time you mouthy little bastard. Yes sure, it has a similar tone, structure, and orchestration. But listen to "Safe Now" by Henry Jackman or "New Horizon" by Ninja tracks – THOSE are "Time" ripoffs! "Hope" IS NOT a ripoff you blind piece of sh*t! Get what I am saying!? Apparently not

  9. Rcp May 26, 2014 at 11:19 pm - Reply

    Dude, I'm just sick of people always saying this or that song ripped off Hans zimmer or something. It's ridiculous, and your saying that it's a HUGE rip off of time means you are either deaf, or just plain stupid. and Edweird's breakdown of nearly every element of the cue and saying it's a ripoff is even more stupid.

  10. Rcp May 26, 2014 at 11:19 pm - Reply

    Dude, I'm just sick of people always saying this or that song ripped off Hans zimmer or something. It's ridiculous, and your saying that it's a HUGE rip off of time means you are either deaf, or just plain stupid. and Edweird's breakdown of nearly every element of the cue and saying it's a ripoff is even more stupid.

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